REVIEWS

Everything is Not Fine, But That’s Okay

adrift in my ocean of sugar tears: Learning to Swim

The Apocalypse Tapes: Eyes Closed, Mind Open

BABY: A Little Bundle of Brilliance

The Days In Between: Life in Limbo

Triple Threat

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PHAEDRA’S LOVE  

“Watching Phaedra’s Love is rather like watching a beautiful painting morph and melt, until it’s nothing more than a bloody mess; a mesmerising experience.”

— Eleanor Bally

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NINE

 “It is thumping, dazzlingly red and riotously burlesque- it entertains with bravado whilst still maintaining elements of dramatic poignancy. A vividly impressionante piece, as both Contini and, I’m sure, Fellini would have it.”

— Carla Dinale

“The Four-Letter-Word-Theatre presentation of NINE is a musical production that heralds as not only a company that tackles the grit in life, but also the glitz.”

Tilly Lunken

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A CLOCKWORK ORANGE

“Burgess’ challenging and elusive message of human choice could easily be drowned out by the simple impact of everything else in the play, but this production, anchored by a powerful lead, keeps it subtly afloat. Ambitious, dramatic, and well carried off.” [4 STARS]

— Imogen Dewey, Theatre People

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THE HISTORY BOYS

“Cameron has directed an ambitious piece of theatre, and pulled it off tremendously. The History Boys is a captivating work that showcases the talents of an exceptional cast, both individually and as a larger ensemble. It transports us back to our own adolescent days and quest for knowledge, and reminds us that high school was never meant to teach us all knowledge, but it was meant to introduce us to seek the knowledge and wisdom we desire and need. The History Boys does just that.” [4.5 STARS]

— Caleb Garfinkel, Theatre People